These illustrations are all for a little movie I'm working on right now about the life of Ezra Jack Keats. I'm waiting to hear back from the lawyers of his estate. There's only so much we're allowed to do. We're allowed to use his original book covers but none of his original artwork. We also want to be "sensitive" about the subject. That's a word being thrown around a lot at the office this week. It's just plain weird having to create art about an artist. They don't want me to in anyway use his style of illustration and they have all these rules about the difference between "homage" and "satire." Hopefully these pass the test and I can move on to animation soon. I really think these are fun to do. I like the bold lines and while they're different from my typical stuff they're a closer marriage between the way I draw and the way the company's work looks. They've been great about giving me creative license and allowing me to make these stand away from our typical style at the studio.
great for kids, girls and the occasional guy who's comfortable with his masculinity
Tuesday, July 17, 2007
Growing Up Keats
These illustrations are all for a little movie I'm working on right now about the life of Ezra Jack Keats. I'm waiting to hear back from the lawyers of his estate. There's only so much we're allowed to do. We're allowed to use his original book covers but none of his original artwork. We also want to be "sensitive" about the subject. That's a word being thrown around a lot at the office this week. It's just plain weird having to create art about an artist. They don't want me to in anyway use his style of illustration and they have all these rules about the difference between "homage" and "satire." Hopefully these pass the test and I can move on to animation soon. I really think these are fun to do. I like the bold lines and while they're different from my typical stuff they're a closer marriage between the way I draw and the way the company's work looks. They've been great about giving me creative license and allowing me to make these stand away from our typical style at the studio.
Monday, July 16, 2007
Splish and Splashed - All done!
Here's that pattern I was working on. Here it's shown on an infinite repeat which is where the pay off comes. I'm pretty happy with the result but part of me can't decide if I like it better with the raindroops spread out the way they were last night or if I like them now that they're all squished together. I thought for the splish and the splash to make sense they'd need to be in a downpour. Now I'm not so sure.
Sunday, July 15, 2007
Splish Splash
I love walking in the rain. . .but so do jungle animals! I love textile design, I love the math side. I think that's why I'm an animator, scientific principals and wild creativity always seem like the best marriage. This is a rough design. It still needs a lot of work. I had to do it in Photoshop as my version of Illustrator is acting all kooky. I hope when I open the illustrator files tomorrow at the Manhattan studio that everything works perfectly and I can turn this into a proper textile design and a fab repeat. Some of the raindrops still need to be moved for line up purposes and stuff like that. I'll post the final tomorrow! xo - Amber
Friday, July 13, 2007
So Many Fish In the Sea
Well, this particular project was great, due to the fact that it combined most of the loves of my life, namely, mermaids, Coney Island and creative freedom. I have a friend who's dusting off her party planning chops for the event of the Summer. As she sees it it's up to me to come up with advertising. It's a huge dating day, Brooklyn-style with a lot of young, single cuties. My only directions were, "Make our event look like the best thing you could ever hope to do with a Saturday!" Oh and I had to include the info too. I started by doing a google search for Coney Island (something I admit to doing all too often) I found this:
I REALLY liked this sign. It got me sketching. I came up with the lettering which started really detailed and had to be watered down and simplified. The neon thing is still slightly present, but it doesn't over power that lovely lady on the bottom. Of course, lately whenever I start sketching I end up with a pretty girl's face. There's only so much you can do when you've got a lovely girlie staring up at you from the pages of your sketchbook. . . . MERMAID. . .mermaid. . . MERMAID!!! The "fish in the sea" thing grew from there. Dating, Coney Island, fish in the sea!?! It's official I'm a genius. Now our mission has a slogan.
Oh to be a full-time mermaid artist, (by that I mean a mermaid who draws for a living).I guess I'm pretty much a full-time robot artist. I'm living a different kind of dream. . . a ten year old boy's dream. Not that I'm complaining. . . . I love my robot job. Besides I'm young, we'll work up to the mermaid gig.
I REALLY liked this sign. It got me sketching. I came up with the lettering which started really detailed and had to be watered down and simplified. The neon thing is still slightly present, but it doesn't over power that lovely lady on the bottom. Of course, lately whenever I start sketching I end up with a pretty girl's face. There's only so much you can do when you've got a lovely girlie staring up at you from the pages of your sketchbook. . . . MERMAID. . .mermaid. . . MERMAID!!! The "fish in the sea" thing grew from there. Dating, Coney Island, fish in the sea!?! It's official I'm a genius. Now our mission has a slogan.
Oh to be a full-time mermaid artist, (by that I mean a mermaid who draws for a living).
Polo Boy
I like this. I like this a lot. I like this more than anything I've done in a long time. I think that's bad. I think that I shouldn't like this doodle so much. I see it working as a logo for a soccer team, or even a little weird emblem Polo shirt style? Of course, this could just be delirium talking. DELIRIUM? No I don't think so, I think it freakin' rocks!